《犬之夜鸣曲》是他最后一部电影，与前两者不同的是本片把时代背景放在了现代，通过一个牧师对人们内心的探询展现八十年代初匈牙利社会道德体系下的另类现象，影片情节前后跳跃，纪录与虚构相结合，普通胶片与16毫米胶片穿插剪接，再加上当时一批重要的匈牙利本土地下朋克乐队的参与，具有很强的迷幻感。A priest arrives in a village and give advice and comfort to different people. He meets a wheelchair-bound former representative of the Communist party, a woman who is dying of tuberculosis and an astronomer who sings in a punk band.
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